![]() The Lives of Others (Florian Henckel von Donnersmarck, 2006)Īna Maria Bahiana – (US)Ħ. A City of Sadness (Hou Hsiao-hsien, 1989)ħ. ![]() Jeanne Dielman, 23 Commerce Quay, 1080 Brussels (Chantal Akerman, 1975)Ĥ. The Spirit of the Beehive (Victor Erice, 1973)ģ. The Secret in Their Eyes (Juan José Campanella, 2009)Ģ. Pan’s Labyrinth (Guillermo del Toro, 2006)ġ0. The Girl with the Dragon Tattoo (Niels Arden Oplev, 2009)ħ. Untouchable (Olivier Nakache and Éric Toledano, 2011)Ħ. City of God (Fernando Meirelles and Kátia Lund, 2002)Ĥ. Stephen 'Spling' Aspeling – Spl!ng (South Africa)ġ. Life is Beautiful (Roberto Benigni, 1997) Once Upon a Time in Anatolia (Nuri Bilge Ceylan, 2011)ĩ. The Blue Angel (Josef von Sternberg, 1930)Ĩ. Bicycle Thieves (Vittorio De Sica, 1948)ħ. Au Hasard Balthazar (Robert Bresson, 1966)Ħ. Once Upon a Time in Anatolia (Nuri Bilge Ceylan, 2011)Īygun Aslanli – (Azerbaijan)ĥ. Aguirre, Wrath of God (Werner Herzog, 1972)ġ0. L’Avventura (Michelangelo Antonioni, 1960)ĩ. Rocco and His Brothers (Luchino Visconti, 1960)Ĩ. Bicycle Thieves (Vittorio De Sica, 1948)Ħ. Celine and Julie Go Boating (Jacques Rivette, 1974)Ĥ. ![]() The Discreet Charm of the Bourgeoisie (Luis Buñuel, 1972)ģ. The Rules of the Game (Jean Renoir, 1939)Ģ. Black God, White Devil (Glauber Rocha, 1964)ġ. The Testament of Dr Mabuse (Fritz Lang, 1933)ħ. Inácio Araujo – Folha de São Paulo (Brazil)Ĥ. City of God (Fernando Meirelles and Kátia Lund, 2002) Uncle Boonmee Who Can Recall His Past Lives (Apichatpong Weerasethakul, 2010)ġ0. Battleship Potemkin (Sergei M Eisenstein, 1925)Ĩ. Aguirre, Wrath of God (Werner Herzog, 1972)ĥ. Ghost in the Shell (Mamuru Oshii, 1995)Ģ. Ali: Fear Eats the Soul (Rainer Werner Fassbinder, 1973)ĩ. The Exterminating Angel (Luis Buñuel, 1962)Ĩ. 4 Months, 3 Weeks and 2 Days (Cristian Mungiu, 2007)Ħ. The Piano Teacher (Michael Haneke, 2001)ĥ. Aguirre, Wrath of God (Werner Herzog, 1972)Ĥ. Matthew Anderson – The New York Times (UK)ģ. Persepolis (Vincent Paronnaud and Marjane Satrapi, 2007)ġ0. The Return of the Prodigal Son (Youssef Chahine, 1976)Ħ. Ola Alsheikh – Film critic (Palestinian territories)Ĥ. City of God (Fernando Meirelles and Kátia Lund, 2002)ġ0. The Little Girl Who Sold the Sun (Djibril Diop Mambéty, 1999)ĩ. Battleship Potemkin (Sergei M Eisenstein, 1925)ħ. Children of Heaven (Majid Majidi, 1997)Ĥ. ![]() La Dolce Vita (Federico Fellini, 1960)ġ0. The Young and the Damned (Luis Buñuel, 1950)ĩ. The 400 Blows (François Truffaut, 1959)Ĩ. In the Mood for Love (Wong Kar-wai, 2000)Ģ. The Discreet Charm of the Bourgeoisie (Luis Buñuel, 1972)ġ. ![]() The Seventh Seal (Ingmar Bergman, 1957)ġ0. The Rules of the Game (Jean Renoir, 1939)ģ. L’Eclisse (Michelangelo Antonioni, 1962)Ģ. The Rules of the Game (Jean Renoir, 1939)Ħ. Any ties remaining after this were split by first place votes: films with more critics placing them at number one ranked higher.Ĥ. We split ties by the total number of votes: films with more votes ranked higher. We awarded 10 points per first ranked film, 9 per second ranked film, and so on down to 1. Each critic voted for 10 films, ranking them 1 (favourite) to 10 (10th favourite). Bergman uses a formal combination of flashback tableau and piercing close-up to answer the daughter's worst fear-that her grief is her mother's secret pleasure-with the reality of indifference.We approached hundreds of film experts - critics, industry figures, academics - and 209 from 43 countries responded by filling in an online poll in August and September 2018. The better for our understanding of Eva's sense of abandonment and loss, conveyed in Ullmann's bruising honesty and echoed in the utterings of Eva's disabled sister, Helena. Near complete, for Ingrid Bergman subtly portrays the mother's love, grief, and guilt as mercurial posturings of a virtuoso performer. The arrival of Eva's mother (Ingrid Bergman, in her only film with Ingmar Bergman), a world-traveling concert pianist, for their first meeting in seven years occasions a near-complete opening out of feelings by daughter and mother. Very soon the steely tone of love avoided, attempted, and denied overrides all hope. The warm autumnal hues of a house on a lake give a false, perhaps wished-for sense of security to the setting, the home of a pastor and his wife, Eva (Liv Ullmann). SE 1978, R: Ingmar Bergman mit Liv Ullmann, Lena Nyman, Halvar Björk, 93 Min, OmeU ![]()
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